{"id":31,"date":"2026-06-20T18:15:00","date_gmt":"2026-06-20T16:15:00","guid":{"rendered":"https:\/\/saxophoneexpert.com\/pl\/?p=31"},"modified":"2026-06-21T05:45:38","modified_gmt":"2026-06-21T03:45:38","slug":"ustnik-i-stroiki","status":"publish","type":"post","link":"https:\/\/saxophoneexpert.com\/pl\/ustnik-i-stroiki\/","title":{"rendered":"Ustnik i stroiki do saksofonu: jak dobra\u0107 zestaw (tabele)"},"content":{"rendered":"<p>Ustnik, stroik i ligatura tworz\u0105 <strong>setup<\/strong> saksofonu \u2014 to st\u0105d pochodzi du\u017ca cz\u0119\u015b\u0107 brzmienia, bardziej ni\u017c z samego instrumentu. Problem w tym, \u017ce marki numeruj\u0105 wszystko inaczej, a porady w sieci si\u0119 sprzeczaj\u0105. Ten poradnik porz\u0105dkuje temat <strong>tabelami<\/strong> \u2014 otwarcia ustnik\u00f3w w mm i twardo\u015bci stroik\u00f3w mi\u0119dzy markami \u2014 plus rozgrywanie i przechowywanie stroik\u00f3w.<\/p>\n\n<h2>Otwarcie ustnika<\/h2>\n<p><strong>Otwarcie<\/strong> to odleg\u0142o\u015b\u0107 mi\u0119dzy czubkiem ustnika a czubkiem stroika. W Europie w <strong>mm<\/strong> (Selmer, Yamaha), w USA w setnych cala (Meyer, Otto Link). Zasada:<\/p>\n<ul>\n<li><strong>Bardziej otwarty<\/strong> \u2192 wi\u0119cej g\u0142o\u015bno\u015bci i elastyczno\u015bci, ale wymaga wi\u0119cej powietrza i <strong>mi\u0119kszego stroika<\/strong>.<\/li>\n<li><strong>Bardziej zamkni\u0119ty<\/strong> \u2192 \u0142atwiejsza emisja, lepsza kontrola barwy i intonacji; pasuje <strong>twardszy stroik<\/strong>.<\/li>\n<\/ul>\n\n<h3>Tabela otwar\u0107 \u2014 ALT (orientacyjnie, mm)<\/h3>\n<figure class=\"wp-block-table\"><table>\n<thead><tr><th>Ustnik<\/th><th>Rozmiar<\/th><th>Otwarcie ~mm<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>Selmer S90<\/td><td>170 \/ 180 \/ 190 \/ 200<\/td><td>1,35 \/ 1,45 \/ 1,55 \/ 1,65<\/td><\/tr>\n<tr><td>Selmer S80<\/td><td>C \/ C* \/ C**<\/td><td>1,45 \/ 1,55 \/ 1,65<\/td><\/tr>\n<tr><td>Yamaha<\/td><td>4C \/ 5C<\/td><td>1,60 \/ 1,70<\/td><\/tr>\n<tr><td>Meyer<\/td><td>5M \/ 6M \/ 7M<\/td><td>1,80 \/ 1,93 \/ 2,06<\/td><\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n<h3>Tabela otwar\u0107 \u2014 TENOR (orientacyjnie, mm)<\/h3>\n<figure class=\"wp-block-table\"><table>\n<thead><tr><th>Ustnik<\/th><th>Rozmiar<\/th><th>Otwarcie ~mm<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>Yamaha<\/td><td>4C \/ 5C<\/td><td>1,70 \/ 1,80<\/td><\/tr>\n<tr><td>Selmer S80<\/td><td>C* \/ C** \/ D<\/td><td>1,90 \/ 2,00 \/ 2,10<\/td><\/tr>\n<tr><td>Otto Link (Tone Edge ebonit \/ STM metal)<\/td><td>6 \/ 6* \/ 7 \/ 7* \/ 8<\/td><td>2,29 \/ 2,41 \/ 2,54 \/ 2,67 \/ 2,79<\/td><\/tr>\n<\/tbody>\n<\/table><\/figure>\n<p><strong>Uwaga:<\/strong> numeracja <em>nie<\/em> jest por\u00f3wnywalna mi\u0119dzy markami \u2014 \u201e5&#8243; Meyer, \u201e7&#8243; Otto Link i \u201eC*&#8221; Selmer to r\u00f3\u017cne otwarcia. Por\u00f3wnuj tylko po mm. (Otwarcia Selmer dotycz\u0105 obecnych modeli; starsze si\u0119 r\u00f3\u017cni\u0105. Warto\u015bci mm orientacyjne.)<\/p>\n\n<p><p class=\"sax-cta\"><a href=\"https:\/\/fliz.ly\/xoAgm_w\" target=\"_blank\" rel=\"sponsored noopener nofollow\" style=\"display:inline-block;background:#e0823c;color:#fff;font-weight:700;padding:12px 24px;border-radius:8px;text-decoration:none\">Zobacz ceny w Thomann \u2192<\/a><\/p><!-- CTA_AFF_DONE -->\ud83d\udc49 <strong>Por\u00f3wnaj ceny i dost\u0119pno\u015b\u0107<\/strong> w sklepach specjalistycznych.<\/p>\n\n<h2>Stroiki: twardo\u015bci i (przybli\u017cone) odpowiedniki marek<\/h2>\n<figure class=\"wp-block-table\"><table>\n<thead><tr><th>Linia<\/th><th>Skala<\/th><th>Krok<\/th><\/tr><\/thead>\n<tbody>\n<tr><td>Rico<\/td><td>1,5\u20134<\/td><td>0,5<\/td><\/tr>\n<tr><td>Rico Royal \/ Vandoren Traditional<\/td><td>1\u20135<\/td><td>0,5<\/td><\/tr>\n<tr><td>Vandoren V12 \/ V16 \/ Java<\/td><td>2\/2,5\u20135<\/td><td>0,5<\/td><\/tr>\n<tr><td>La Voz<\/td><td>Soft \u2192 Hard (nienumeryczna)<\/td><td>\u2014<\/td><\/tr>\n<tr><td>L\u00e9g\u00e8re (syntetyczne)<\/td><td>~2\u20134,5<\/td><td><strong>0,25<\/strong><\/td><\/tr>\n<\/tbody>\n<\/table><\/figure>\n<p>Orientacyjnie (wg tabel producent\u00f3w): <strong>Rico\/Rico Royal o sile X \u2248 Vandoren Traditional o sile X<\/strong> (niemal 1:1), a <strong>La Voz S \u2248 2, M \u2248 3, H \u2248 4<\/strong>. <em>Uczciwa uwaga:<\/em> wielu graj\u0105cych uznaje Vandoreny za ok. p\u00f3\u0142 stopnia twardsze przy tym samym numerze \u2014 traktuj tabel\u0119 jako punkt startu.<\/p>\n\n<h3>Z\u0142ota zasada: otwarcie \u2194 twardo\u015b\u0107<\/h3>\n<p><strong>Bardziej otwarty ustnik \u2192 mi\u0119kszy stroik; bardziej zamkni\u0119ty \u2192 twardszy.<\/strong><\/p>\n\n<h3>Dla pocz\u0105tkuj\u0105cych<\/h3>\n<p>Na alcie i tenorze zacznij od <strong>stroika 2 lub 2,5<\/strong> i <strong>zamkni\u0119tego ustnika<\/strong> typu <strong>Yamaha 4C<\/strong> (lub Selmer S80 C* w klasyce): \u0142atwa emisja i kontrola intonacji. Podno\u015b o p\u00f3\u0142 stopnia z czasem.<\/p>\n\n<h2>Ustnik wg stylu<\/h2>\n<ul>\n<li><strong>Pocz\u0105tkuj\u0105cy<\/strong> \u2192 zamkni\u0119ty (Yamaha 4C, Selmer S80 C*).<\/li>\n<li><strong>Klasyka<\/strong> \u2192 zamkni\u0119te otwarcia, czysty d\u017awi\u0119k (Selmer S80 \/ S90).<\/li>\n<li><strong>Jazz<\/strong> \u2192 Meyer (alt), Otto Link (tenor).<\/li>\n<li><strong>Funk\/rock\/lead<\/strong> \u2192 metalowe ustniki z wysokim baffle i du\u017cym otwarciem.<\/li>\n<\/ul>\n<p>Materia\u0142 (ebonit\/metal\/tworzywo) ma mniejsze znaczenie ni\u017c <strong>geometria wewn\u0119trzna<\/strong> (komora, baffle, otwarcie, st\u00f3\u0142).<\/p>\n\n<p><p class=\"sax-cta\"><a href=\"https:\/\/fliz.ly\/xoAgm_w\" target=\"_blank\" rel=\"sponsored noopener nofollow\" style=\"display:inline-block;background:#e0823c;color:#fff;font-weight:700;padding:12px 24px;border-radius:8px;text-decoration:none\">Zobacz ceny w Thomann \u2192<\/a><\/p><!-- CTA_AFF_DONE -->\ud83d\udc49 <strong>Por\u00f3wnaj ceny i dost\u0119pno\u015b\u0107<\/strong> w sklepach specjalistycznych.<\/p>\n\n<h2>Rozgrywanie i przechowywanie stroik\u00f3w<\/h2>\n<ol>\n<li><strong>Nawil\u017c<\/strong> w letniej wodzie 1\u20132 min (nigdy gor\u0105cej; nie d\u0142u\u017cej ni\u017c ~10\u201315 min).<\/li>\n<li><strong>Pierwsza gra kr\u00f3tko<\/strong> \u2014 kilka minut (zalecenie Vandoren).<\/li>\n<li><strong>Stopniowo<\/strong> wyd\u0142u\u017caj w kolejnych dniach.<\/li>\n<li><strong>Rotuj 3\u20134 stroiki<\/strong>; przechowuj na p\u0142asko, przy sta\u0142ej wilgotno\u015bci (Reed Vitalizer). Wi\u0119cej w poradniku <a href=\"https:\/\/saxophoneexpert.com\/pl\/konserwacja-saksofonu\/\">konserwacja saksofonu<\/a>.<\/li>\n<\/ol>\n\n<h2>Stroik z trzciny czy syntetyczny (L\u00e9g\u00e8re)?<\/h2>\n<p>Syntetyczne nie wymagaj\u0105 nawil\u017cania ani rozgrywania, s\u0105 stabilne i higieniczne, \u017cyj\u0105 wiele miesi\u0119cy (dro\u017cej za sztuk\u0119). Trzcina daje najwi\u0119ksz\u0105 palet\u0119 barw (klasyka), ale jest wra\u017cliwa na wilgo\u0107 i zmienna. Syntetyk = wygoda i sta\u0142o\u015b\u0107; trzcina = barwa i wymagaj\u0105ca klasyka.<\/p>\n\n<h2>FAQ<\/h2>\n<h3>Jaki stroik do fabrycznego ustnika?<\/h3>\n<p>Przy zamkni\u0119tym ustniku szkolnym (Yamaha 4C) stroik 2\u20132,5 to idealny start.<\/p>\n<h3>Czy twardszy stroik = lepszy d\u017awi\u0119k?<\/h3>\n<p>Nie sam z siebie \u2014 musi pasowa\u0107 do otwarcia. Za twardy na zamkni\u0119tym \u201ed\u0142awi&#8221;; za mi\u0119kki na otwartym zamyka d\u017awi\u0119k.<\/p>\n\n<p>Zobacz te\u017c <a href=\"https:\/\/saxophoneexpert.com\/pl\/saksofon-altowy-dla-poczatkujacych\/\">saksofon altowy dla pocz\u0105tkuj\u0105cych<\/a>.<\/p>\n\n<p><em>Otwarcia i odpowiedniki od producent\u00f3w (Selmer, Yamaha, JJ Babbitt, Vandoren, D&#8217;Addario, L\u00e9g\u00e8re); orientacyjne, a dla stroik\u00f3w wprost przybli\u017cone. Warto\u015bci mm zaokr\u0105glone.<\/em><\/p>\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"976\" src=\"https:\/\/saxophoneexpert.com\/pl\/wp-content\/uploads\/sites\/7\/2026\/06\/ottolink-saxophone-1024x976.jpg\" alt=\"Zbli\u017cenie ustnika saksofonowego Otto Link Tone Edge\" class=\"wp-image-139\" srcset=\"https:\/\/saxophoneexpert.com\/pl\/wp-content\/uploads\/sites\/7\/2026\/06\/ottolink-saxophone-1024x976.jpg 1024w, https:\/\/saxophoneexpert.com\/pl\/wp-content\/uploads\/sites\/7\/2026\/06\/ottolink-saxophone-300x286.jpg 300w, https:\/\/saxophoneexpert.com\/pl\/wp-content\/uploads\/sites\/7\/2026\/06\/ottolink-saxophone-768x732.jpg 768w, https:\/\/saxophoneexpert.com\/pl\/wp-content\/uploads\/sites\/7\/2026\/06\/ottolink-saxophone.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ustnik, stroik i ligatura tworz\u0105 setup saksofonu \u2014 to st\u0105d pochodzi du\u017ca cz\u0119\u015b\u0107 brzmienia, bardziej ni\u017c z samego instrumentu. Problem [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"class_list":["post-31","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poradniki-i-konserwacja"],"_links":{"self":[{"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/posts\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":3,"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/posts\/31\/revisions"}],"predecessor-version":[{"id":227,"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/posts\/31\/revisions\/227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/media\/141"}],"wp:attachment":[{"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/media?parent=31"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/categories?post=31"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saxophoneexpert.com\/pl\/wp-json\/wp\/v2\/tags?post=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}